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Playful Visions : Optical Toys and the Emergence of Children's Media Culture
The kaleidoscope, the stereoscope, and other nineteenth-century optical toys analyzed as "new media" of their era, provoking anxieties similar to our own about children and screens. In the nineteenth century, the kaleidoscope, the thaumatrope, the zoetrope, the stereoscope, and other optical toys were standard accessories of a middle-class childhood, used both at home and at school.In Playful Visions, Meredith Bak argues that the optical toys of the nineteenth century were the "new media" of their era, teaching children to be discerning consumers of media-and also provoking anxieties similar to contemporary worries about children's screen time.Bak shows that optical toys-which produced visual effects ranging from a moving image to the illusion of depth-established and reinforced a new understanding of vision as an interpretive process.At the same time, the expansion of the middle class as well as education and labor reforms contributed to a new notion of childhood as a time of innocence and play.Modern media culture and the emergence of modern Western childhood are thus deeply interconnected. Drawing on extensive archival research, Bak discusses, among other things, the circulation of optical toys, and the wide visibility gained by their appearance as printed templates and textual descriptions in periodicals; expanding conceptions of literacy, which came to include visual acuity; and how optical play allowed children to exercise a sense of visual mastery.She examines optical toys alongside related visual technologies including chromolithography-which inspired both chromatic delight and chromophobia.Finally, considering the contemporary use of optical toys in advertising, education, and art, Bak analyzes the endurance of nineteenth-century visual paradigms.
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Culture
One of our most brilliant minds offers a sweeping intellectual history that argues for the reclamation of culture’s value Culture is a defining aspect of what it means to be human.Defining culture and pinpointing its role in our lives is not, however, so straightforward.Terry Eagleton, one of our foremost literary and cultural critics, is uniquely poised to take on the challenge.In this keenly analytical and acerbically funny book, he explores how culture and our conceptualizations of it have evolved over the last two centuries—from rarified sphere to humble practices, and from a bulwark against industrialism’s encroaches to present-day capitalism’s most profitable export.Ranging over art and literature as well as philosophy and anthropology, and major but somewhat "unfashionable" thinkers like Johann Gottfried Herder and Edmund Burke as well as T.S. Eliot, Matthew Arnold, Raymond Williams, and Oscar Wilde, Eagleton provides a cogent overview of culture set firmly in its historical and theoretical contexts, illuminating its collusion with colonialism, nationalism, the decline of religion, and the rise of and rule over the "uncultured" masses.Eagleton also examines culture today, lambasting the commodification and co-option of a force that, properly understood, is a vital means for us to cultivate and enrich our social lives, and can even provide the impetus to transform civil society.
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Joyful Outsiders : Six Ways to Live Like Jesus in a Disorienting Culture
This practical guide helps you find peace and clarity in a confusing culture.Through it, you will learn healthy, biblical ways to both cultivate and resist the world around you.You will learn how to change the culture without becoming like it. You probably feel more like an outsider in our culture today than you did ten years ago.If that's the case, you're not alone. The question is, what kind of outsider will you become?Will you become a combative outsider and rage against your enemies?Will you become a conformist outsider and mirror the world around you?Will you become a conflict-averse outsider and avoid confrontation at all costs?Jesus has so much for you.He's called you to be a joyful outsider like him. He was crucified as an outcast outside the city. Now he welcomes you to join him; to die to yourself and discover that sacrificial love has the power to change the world. In Joyful Outsiders, pastors Patrick Miller and Keith Simon will train you how to be a joyful outsider by laying out six ways to navigate a confusing culture at home, at work, and beyond.They draw on the examples of biblical characters to introduce six types of joyful outsiders: the artist, the protestor, the builder, the advisor, the ambassador, and the trainer.In Joyful Outsiders, you will:Discover joy by embracing your identity as an outsiderFind which of the six ways God is calling you to followExperience freedom from fear of the world and anger toward itLearn how to both resist and cultivate the world around you You might be an outsider in today's world, but that doesn't mean Jesus can't use you to change it.God wants to guide you into your calling, train you for action, and equip you to become a confident, Christlike culture changer.
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Neoliberal Culture
Neoliberal Culture presents a critical analysis of the impact of the global free-market - the hegemony of which has been described elsewhere by the author as 'a short counter-revolution' - on the arts, media and everyday life since the 1970s.
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What are event culture and time culture?
Event culture refers to the way in which events, such as festivals, concerts, and sporting events, shape and influence a society's values, beliefs, and behaviors. Time culture, on the other hand, refers to the way in which a society perceives and organizes time, including concepts of punctuality, scheduling, and the pace of life. Both event culture and time culture play a significant role in shaping social interactions, traditions, and overall societal norms.
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Which culture is the best culture in the world?
It is not appropriate to label any one culture as the "best" in the world as every culture has its own unique strengths and values. Each culture contributes to the diversity and richness of the world, and it is important to respect and appreciate the differences among them. Instead of comparing cultures, it is more valuable to learn from and celebrate the diversity of cultures around the world.
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Why is Turkish culture often confused with Arab culture?
Turkish culture is often confused with Arab culture due to several factors. Firstly, both cultures are located in the Middle East and share some similarities in language, religion, and traditional customs. Additionally, there is a historical connection between the two regions through the Ottoman Empire, which had a significant influence on Arab countries. Furthermore, the media and popular culture often portray a homogenized view of the Middle East, leading to misconceptions and generalizations about the diverse cultures within the region. However, it is important to recognize and appreciate the distinct differences and unique aspects of Turkish and Arab cultures.
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Is culture important?
Yes, culture is important because it shapes our identity, beliefs, values, and behaviors. It provides a sense of belonging and connection to others within a community. Culture also influences how we communicate, express ourselves, and understand the world around us. Embracing and respecting different cultures can lead to greater understanding, empathy, and cooperation among diverse groups of people.
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Vulture Culture
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Unpopular Culture
Money is the key to happiness. Work hard, play hard. Look out for number one. Popular culture is full of phrases like these, telling us the best way to live, the right things to buy, the right body shape to have, the right people to hang out with.These messages are everywhere we look, 24 hours a day. But what if there was another way to live?What if we chose to live differently: to stand against injustice, to live life for more than just ourselves, to dare to be unpopular?Guvna B is rebelling against the status quo, and he’s calling you to join him. It’s time to flip the script, to demonstrate another way to live, to find freedom in going against the grain. It’s time for unpopular culture to take the stage.
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Unhuman Culture
It is widely acknowledged that the unhuman plays a significant role in the definition of humanity in contemporary thought.It appears in the thematization of "the Other" in philosophical, psychoanalytic, anthropological, and postcolonial studies, and shows up in the "antihumanism" associated with figures such as Heidegger, Foucault, and Derrida.One might trace its genealogy, as Freud did, to the Copernican, Darwinian, and psychoanalytic revolutions that displaced humanity from the center of the universe. Or as Karl Marx and others suggested, one might lose human identity in the face of economic, technological, political, and ideological forces and structures. With dazzling breadth, wit, and intelligence, Unhuman Culture ranges over literature, art, and theory, ancient to postmodern, to explore the ways in which contemporary culture defines humanity in terms of all that it is not.Daniel Cottom is equally at home reading medieval saints' lives and the fiction of Angela Carter, plumbing the implications of Napoleon's self-coronation and the attacks of 9/11, considering the paintings of Pieter Bruegel and the plastic-surgery-as-performance of the body artist Orlan. For Cottom, the unhuman does not necessarily signify the inhuman, in the sense of conspicuous or extraordinary cruelty.It embraces, too, the superhuman, the supernatural, the demonic, and the subhuman; the supposedly disjunctive animal, vegetable, and mineral kingdoms; the realms of artifice, technology, and fantasy.It plays a role in theoretical discussions of the sublime, personal memoirs of the Holocaust, aesthetic reflections on technology, economic discourses on globalization, and popular accounts of terrorism.Whereas it once may have seemed that the concept of culture always, by definition, pertained to humanity, it now may seem impossible to avoid the realization that we must look at things differently.It is not only art, in the narrow sense of the word, that we must recognize as unhuman.For better or worse, ours is now an unhuman culture.
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Culture
Before diving into CRIPPLES' latest album, "Culturein," I couldn't help but wonder if this band could live up to their name. Would their music leave me feeling like a musical cripple, unable to move or think? Fortunately, that fear was quickly dispelled as soon as the first track blasted through my speakers. The album kicks off with a bang, with a blend of punk rock energy and quirky lyrics that immediately grab your attention. CRIPPLES effortlessly mix elements of indie rock, post-punk, and even a hint of pop to create a sound that is uniquely their own. Tracks like "London Calling" and "Tea and Crumpets" showcase the band's ability to write catchy hooks and infectious melodies that will have you tapping your toes and humming along in no time. The lyrics are witty and playful, reflecting the band's British roots with a healthy dose of humour and sarcasm. Despite the lighter moments, "Culturein" also delves into more introspective and emotional territory, with tracks like "Grey Skies" and "Lost in Translation" offering a more somber and reflective tone. CRIPPLES show a depth and maturity in their songwriting that is unexpected but welcome. Overall, "Culturein" is a delightful and refreshing listen that showcases CRIPPLES' talent and versatility. It's a must-listen for fans of quirky indie rock with a British twist. So grab a cuppa, sit back, and let CRIPPLES take you on a musical journey that you won't soon forget.
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What is the difference between historical culture and memory culture?
Historical culture refers to the collective understanding and interpretation of historical events, traditions, and customs within a society. It encompasses the tangible and intangible aspects of a society's past, including artifacts, monuments, and rituals. Memory culture, on the other hand, focuses on the ways in which a society actively engages with and remembers its history. It involves the processes of commemoration, memorialization, and the transmission of historical knowledge through storytelling, education, and public discourse. While historical culture is the broader framework of a society's historical identity, memory culture is the active, dynamic practice of remembering and interpreting that history.
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Do you consider German culture to be a good culture?
As an AI language model, I don't have personal opinions. However, German culture is rich in history, art, music, and literature. It has made significant contributions to the world in various fields, and its emphasis on efficiency, punctuality, and quality is widely respected. Additionally, Germany's commitment to environmental sustainability and social welfare is commendable. However, like any culture, it also has its complexities and challenges. Ultimately, whether one considers German culture to be "good" is subjective and depends on individual perspectives and experiences.
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Does globalization destroy culture?
Globalization can have both positive and negative impacts on culture. On one hand, it can lead to the spread of ideas, values, and traditions across borders, promoting cultural exchange and understanding. However, it can also result in the homogenization of cultures, as Western ideals and consumerism become dominant, potentially eroding local traditions and identities. Ultimately, the impact of globalization on culture depends on how it is managed and whether efforts are made to preserve and celebrate diverse cultural expressions.
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What does culture encompass?
Culture encompasses a wide range of elements that define a society, including beliefs, values, customs, traditions, language, art, music, food, and social norms. It shapes how individuals interact with one another and their environment, influencing their behaviors, attitudes, and perceptions. Culture is dynamic and constantly evolving, influenced by historical events, social changes, and interactions with other cultures. It plays a crucial role in shaping identities, fostering a sense of belonging, and providing a framework for understanding the world.
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